Managers debate AI artists' place on music charts

In a recent Billboard discussion, Xania Monet's manager Romel Murphy and Black Music Action Coalition CEO Willie “Prophet” Stiggers debated whether AI-generated music should share charts with human-created works. The conversation highlighted 2025 as the first year AI tracks appeared on major platforms like Billboard, TikTok, and Spotify. They also addressed radio policies excluding AI content.

The debate, hosted by Kristin Robinson and published on December 19, 2025, comes amid the rising popularity of AI-generated music. This year marked a milestone, with tracks such as “A Million Colors” by Vinih Pray entering the TikTok Viral 50, “We Are Charlie Kirk” by Spalexma reaching the Spotify U.S. chart, Xania Monet’s “How Was I Supposed To Know” hitting the Billboard Hot R&B Songs chart, and Breaking Rust’s “Walk My Walk” landing on the Country Digital Song Sales chart.

Romel Murphy, president and founder of Daidream (a play on AI), manages Xania Monet, an AI artist created by Nikki Jones, who writes poetry and uses Suno to produce songs. With over 20 years in the music industry, Murphy was thrust into AI music unexpectedly. He advocates for AI tracks to compete on the same charts as human works, viewing streaming services and platforms like Billboard, TikTok, and Spotify as neutral fields based on popularity.

In contrast, Willie “Prophet” Stiggers, co-founder, president, and CEO of the Black Music Action Coalition—formed in 2020 following the killings of George Floyd, Breonna Taylor, and Ahmaud Arbery—argues that “AI-generated artists shouldn’t be on the same charts as human beings.” The coalition, comprising influential producers, artists, managers, and lawyers, focuses on accountability in social and racial justice within the music industry.

The discussion also touched on hybrid tracks blending human and AI elements, raising questions about separation or integration. On radio, they referenced iHeartRadio’s “Guaranteed Human” policy, which bans most AI songs, personalities, and podcasts nationwide, recently removing Monet’s tracks from airwaves.

This exchange underscores broader challenges in the music business as AI blurs lines between creation methods, potentially reshaping chart methodologies and artist opportunities.

ተያያዥ ጽሁፎች

Realistic illustration of Deezer app showing 44% AI-generated music uploads surge, with rising graphs, AI music visuals, and fraud alerts for a news article.
በ AI የተሰራ ምስል

Deezer reports 44% of music uploads are now AI-generated amid rising fraud concerns

በAI የተዘገበ በ AI የተሰራ ምስል

Deezer disclosed on May 4 that 44 percent of all songs uploaded to its platform—around 75,000 daily—are AI-generated, up sharply from 10 percent in January and 28 percent last September. Despite this surge, the tracks account for just 1-3 percent of listening time, thanks to detection tools that flag 85 percent for demonetization and exclude them from recommendations.

Musicians including SZA and producer Kenneth Blume have voiced strong objections after discovering their songs in datasets used to train AI music generators. The reactions followed the launch of an AI detection tool by The Atlantic last week.

በAI የተዘገበ

Doja Cat has stated that a batch of songs circulating on X are not her unreleased tracks but instead generated by artificial intelligence.

Dr Luke Dicken, the former head of AI at Take-Two, has said that excessive hype around generative AI risks turning people against all forms of artificial intelligence in game development.

በAI የተዘገበ

Spotify announced a partnership with Universal Music Group to offer AI-powered remixing and cover song tools as a paid add-on for Premium subscribers. The streaming service also introduced a reserved ticketing feature for dedicated fans in partnership with Live Nation.

ይህ ድረ-ገጽ ኩኪዎችን ይጠቀማል

የእኛን ጣቢያ ለማሻሻል ለትንታኔ ኩኪዎችን እንጠቀማለን። የእኛን የሚስጥር ፖሊሲ አንብቡ የሚስጥር ፖሊሲ ለተጨማሪ መረጃ።
ውድቅ አድርግ