Filmmaking partners Ronald and Mary Bronstein are celebrating a milestone year, with both receiving nominations for their recent projects Marty Supreme and If I Had Legs I'd Kick You. In their first joint interview, the couple reflects on over two decades of collaboration, from early indie films to current acclaim. Backed by A24, the films showcase their shared empathetic storytelling amid personal and professional challenges.
Career Beginnings
Ronald Bronstein and Mary Bronstein met in the early 2000s during the casting for Ronald's directorial debut, Frownland, where Mary played the lead role. They began dating during production, married before its 2007 release, and collaborated on Mary's first feature, Yeast, which Ronald edited. Made on a shoestring budget with friends like Josh and Benny Safdie and Greta Gerwig, Yeast emphasized immediacy and raw emotion. The couple's early work navigated indie film challenges, with Frownland receiving mixed reviews described as an 'unceasing panic attack' by Roger Ebert.
Recent Achievements
After years of Ronald's collaborations with the Safdies on films like Good Time and Uncut Gems, and Mary focusing on family, both have reached new heights. Ronald is a first-time Golden Globe nominee for producing, co-writing, and co-editing Marty Supreme, directed by Josh Safdie. The 1950s-set film stars Timothée Chalamet as fictional table-tennis champion Marty Mauser and opens in theaters on Christmas Day 2025.
Mary's If I Had Legs I'd Kick You, her first feature since Yeast, earns her a best director nomination at the Spirit Awards. Starring Rose Byrne as a mother dealing with her daughter's pediatric feeding disorder, the film draws from Mary's motherhood experiences and was produced by Ronald. Both A24 productions highlight their return to equal professional footing, as Mary notes: 'When we heard that we were a power couple, we were delighted.' Ronald adds: 'We’d been like a power-outage couple until this year.'
Shared Vision and Challenges
The Bronsteins share a deep sensitivity and anxiety-driven worldview, focusing on empathy for flawed individuals. Ronald explains: 'If you zoom into any one individual... it is hard not to want to sob your shitty little heart out.' Their films explore masculine and feminine perspectives on personal struggles, often met with resistance in a commercial industry. Mary's path faced additional hurdles as a woman director, requiring 'Olympian struggle' to realize her vision without concessions.
Timothée Chalamet's unconventional press tour for Marty Supreme, including pop-up screenings and satirical pitches, amplifies the film's buzz. Events like a New York preview with ping-pong helmets and an orange-themed campaign aim to draw audiences to this $60-70 million indie. The couple promises never to produce simultaneously to balance family life, underscoring their partnership's resilience.
