Pixar's Hoppers leads box office with $40 million opening

Pixar's original animated film Hoppers is set for a $40 million opening weekend in the U.S. and Canada, marking a strong performance for the studio's recent originals. In contrast, Warner Bros' The Bride!, directed by Maggie Gyllenhaal, is projecting a disappointing $8 million to $10 million debut despite its $80 million budget. The results highlight differing audience responses to family animation and auteur-driven horror.

The weekend box office, estimated at $91 million domestically, shows a 63% increase from the same period last year. Pixar's Hoppers, playing in 4,000 theaters, earned $13.2 million on Friday after $3.2 million in previews, including $2 million from Thursday night. The film received an A CinemaScore, 75% definite recommend on PostTrak, and 93% on Rotten Tomatoes. Audiences praised its humor and unique animation, with strong appeal to families: 52% general audience, 24% parents, 24% kids under 12. Demographics include 45% Caucasian, 26% Hispanic and Latino, 14% Asian American, 8% Black, and 6% Native American. Premium formats drove 27% of sales, with top performance in South Central, Mountain, and West regions.

Warner Bros' The Bride!, starring Jessie Buckley and Christian Bale in 3,304 theaters, opened with $3 million on Friday for a projected $8 million to $10 million three-day total. Some estimates place it as low as $6.5 million. It earned a C+ CinemaScore, 43% definite recommend on PostTrak, and 61% on Rotten Tomatoes. The audience skewed 53% male, 47% female, with 18-34 year-olds at 56%. Diversity: 51% Caucasian, 26% Latino and Hispanic, 10% Black, 9% Asian American. Global opening is estimated at $16 million to $20 million. Critics were divided; Kyle Smith of The Wall Street Journal called it a 'monster' unleashed by Gyllenhaal, while Peter Bradshaw of The Guardian described it as a 'gangster joyride' elevated by Buckley's performance.

The Bride! faced challenges in post-production pacing and genre expectations as period horror, which is often expensive and divisive. Its release shifted twice, from October 2025 to September, then to March 2026. Industry sources noted the film's aim at sophisticated viewers rather than broad horror fans, amid competition from Netflix's Frankenstein. Hoppers' success revives Pixar's originals after struggles like Elio's $20.8 million opening last year.

Other top films include Scream 7 in second with $16.3 million in its second weekend, and Sony's GOAT in fourth at $6.1 million in week four.

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Movie theater marquee for 'The Bride!' on a rainy night with box office flop stats displayed and empty parking lot.
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The Bride! opens to $13.6 million globally, disappointing Warner Bros

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Maggie Gyllenhaal's 'The Bride!' earned $7.3 million domestically and $13.6 million worldwide in its opening weekend, falling short of Warner Bros' projections. The R-rated film, a feminist take on 'The Bride of Frankenstein,' faced challenges including a delayed release and audience rejection. This marks the end of the studio's streak of nine consecutive No. 1 openings.

Disney's Pixar film 'Hoppers' debuted at number one worldwide, earning $88 million in its opening weekend. The animated adventure marks a strong start for an original story from the studio. In contrast, Maggie Gyllenhaal's 'The Bride!' opened to a disappointing $13.6 million globally.

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Pixar's animated comedy 'Hoppers' kicked off its box office run with $3.2 million from Thursday previews, signaling a strong $35-40 million opening weekend from 4,000 theaters on March 6. The performance follows the film's positive early reviews for its inventive environmental tale.

James Cameron's Avatar: Fire and Ash continues to dominate the box office, earning $21.3 million in its fourth weekend. The film outperformed newcomers Primate and Greenland 2: Migration, which debuted with $11.3 million and $8.5 million respectively. Overall, the weekend's totals suggest a steady but not explosive start to the year for cinemas.

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Following its $1.08 billion milestone after 18 days, James Cameron's Avatar: Fire and Ash added $86 million worldwide in its fourth weekend, pushing the global total to $1.23 billion and maintaining its lead among current releases. Lionsgate's breakout The Housemaid nears $200 million globally.

James Cameron's Avatar: Fire and Ash delivered a $345 million worldwide debut with $88 million domestic and $257 million international, aligning closely with Friday projections of $85-90 million domestic and $340-350 million global. This marks the second-largest global debut of 2025, trailing only Avatar: The Way of Water, amid high expectations from its $350 million production budget and $150 million marketing spend.

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Disney's animated sequel Zootopia 2 has crossed the $500 million mark in China, grossing $55 million over the December 12-14 weekend. The film also continued to dominate the Korean box office with $6.7 million in the same period. This performance underscores the sequel's strong appeal in key Asian markets.

 

 

 

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