Backrooms et Obsession propulsent les gains du box-office de mai

Deux films d'horreur ont mené un mois solide pour les cinémas en mai. Le producteur Chris Ferguson a répondu aux rumeurs en ligne concernant les réalisateurs. Ce succès survient après que les spéculations sur une réalisation fantôme ont été démenties.

Backrooms et Obsession ont offert une victoire majeure aux cinémas durant le mois de mai. Les films, réalisés par les jeunes youtubeurs Kane Parsons et Curry Barker, ont dépassé les attentes au box-office selon les rapports de l'industrie. Ferguson, originaire de Vancouver, a décrit le week-end de sortie comme une expérience intense dans des commentaires publiés le 1er juin.

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A realistic illustration showing the horror movie Backrooms leading box office earnings in a cinema setting with eerie yellow rooms and financial charts.
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Backrooms leads global box office with 118 million

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Backrooms earned 118 million dollars worldwide in its opening weekend, marking a strong international debut for the A24 horror film. Obsession reached 148 million dollars globally while Michael climbed to 846.2 million dollars.

Kane Parsons' directorial debut Backrooms opened strongly at the domestic box office this weekend. The A24 release, based on the filmmaker's popular YouTube series, earned between $76 million and $79 million.

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The film adaptation of the viral Backrooms web series is set to open in UK cinemas on May 29. Directed by 20-year-old Kane Parsons, it stars Chiwetel Ejiofor and Renate Reinsve in a story of endless liminal spaces.

Director Curry Barker has revealed that his upcoming horror film Anything But Ghosts is set in the same universe as his recent movie Obsession.

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Lionsgate’s Michael is expected to top the box office this weekend in its fourth frame with more than 25 million dollars. Focus Features’ Obsession is tracking for a solid third place debut between 13 million and 15 million dollars.

The film Hoppers has maintained its position at the top of the box office charts. Reminders of Him has received a warm reception from audiences. Meanwhile, Scream 7 has achieved $100 million in domestic earnings in record time, and Hamnet is set to surpass $100 million globally on Oscar Sunday.

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Indie distributor Row K Entertainment, launched less than eight months ago, faces unpaid bills and financial concerns that threaten its film slate. Maude Apatow's directorial debut 'Poetic License' has been delayed from May to September, perplexing its producers and star. Founders cite strategic adjustments amid vendor payment delays.

 

 

 

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