Kate Winslet makes her directorial debut with 'Goodbye June,' a family drama penned by her son Joe Anders and featuring an all-star cast including Helen Mirren and Toni Collette. The film follows a dying mother's family as they reunite during the holidays to mend old wounds. It arrives on Netflix on Christmas Eve after a brief theatrical run.
Overview
'Goodbye June' is a sentimental holiday drama that explores family dynamics amid loss. Directed by Kate Winslet in her first turn behind the camera, the film centers on June (Helen Mirren), a terminally ill mother given less than a month to live. She gathers her estranged children in a Cheltenham hospital room for what may be their last Christmas together, forcing confrontations with long-buried resentments and secrets.
Cast and Characters
Winslet stars as Julia, the eldest daughter juggling a demanding career, absent husband, and boisterous kids. Her siblings include the high-strung Molly (Andrea Riseborough), free-spirited Helen (Toni Collette), and reclusive brother Connor (Johnny Flynn). Timothy Spall plays the detached husband Bernie, while Fisayo Akinade portrays the compassionate nurse Angel, who helps guide the family toward reconciliation. Stephen Merchant also appears in the ensemble.
The script, written by 21-year-old Joe Anders—Winslet's son—delivers a mix of heartfelt moments and light satire on middle-class woes, though critics note its formulaic nature and lack of depth in character backstories.
Production and Release
Produced as a UK-US collaboration by Netflix and 55 Jugglers, the film boasts cinematography by Alwin H. Küchler and a score by Ben Harlan. With a runtime of 115 minutes, it emphasizes warm visuals and holiday cheer, culminating in a Nativity play sequence.
After a limited theatrical release, 'Goodbye June' streams on Netflix starting Christmas Eve 2025. Reviews praise the cast's efforts but critique the screenplay's shallowness, comparing it unfavorably to similar films like 'His Three Daughters.' Winslet has assembled a strong team, yet the direction prioritizes performances over innovative storytelling.
