Anne Hathaway and Michaela Coel pose on the red carpet at the 'Mother Mary' premiere in New York, with FKA twigs arriving.
Anne Hathaway and Michaela Coel pose on the red carpet at the 'Mother Mary' premiere in New York, with FKA twigs arriving.
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Stars attend Mother Mary premiere in New York

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Anne Hathaway and Michaela Coel, stars of A24's 'Mother Mary,' posed together at the film's New York premiere. FKA twigs also arrived at the event. Variety captured the arrivals on April 13.

Anne Hathaway attended A24's 'Mother Mary' premiere in New York City, as reported by Variety. The event drew attention from entertainment outlets with photos of the actress at the screening on April 13, 2026. Anne Hathaway and Michaela Coel, both stars of the film, posed together during the premiere. Variety shared images of the pair, highlighting their presence at the NYC event later that evening. FKA twigs arrived at the #MotherMary premiere, adding to the star-studded turnout. The posts from Variety, timestamped between 22:49 and 23:27 UTC on April 13, documented these moments from the film's promotional rollout.

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Reactions on X to the Mother Mary premiere highlight admiration for Anne Hathaway and Michaela Coel's stunning red carpet looks and the film's prestige potential. Fans and media accounts shared photos and videos enthusiastically, while a few users expressed skepticism about plastic surgery and specific fashion choices like shoes.

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Meryl Streep and Anne Hathaway in iconic outfits launch The Devil Wears Prada 2 press tour on red carpet in Mexico City.
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Stars launch Devil Wears Prada 2 press tour in Mexico City

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The press tour for The Devil Wears Prada 2 kicked off in Mexico City with Meryl Streep and Anne Hathaway showcasing fashion nods to the original film. Streep wore a red Dolce & Gabbana suit accessorized with personal brooches, while Hathaway sported a fringed Schiaparelli dress and a stiletto red micro-French manicure. The sequel, set for release on May 1, follows Miranda Priestly navigating challenges in magazine publishing.

Anne Hathaway attended the world premiere of the psychological thriller Mother Mary at Metrograph in New York on Monday evening. The actress, fresh from her Devil Wears Prada 2 press tour, wore a custom Lever Couture gown and later danced at the after-party. The film, in which she plays a pop star, releases nationwide on April 24.

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Director David Lowery enlisted choreographer Dani Vitale, cinematographer Rina Yang and costume designer Bina Daigeler to develop Anne Hathaway's character, Mother Mary, as a believable pop icon in the thriller now in select theaters. The team simulated a decade of artist development in six months, drawing from real stars like Taylor Swift and Lady Gaga. Hathaway trained rigorously to embody the goth-inspired diva.

Anne Hathaway attended Bvlgari’s high jewelry dinner in Milan wearing a Valentino spring 2025 couture gown and a striking necklace from the jeweler’s new Eclettica collection. She joined ambassadors Dua Lipa and Priyanka Chopra, along with other celebrities including Jake Gyllenhaal and Nick Jonas. The event highlighted Bvlgari’s 160-piece collection featuring rare gems.

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Following the Super Bowl trailer's buzz, the sci-fi film Project Hail Mary—starring Ryan Gosling as astronaut Ryland Grace and directed by Phil Lord and Christopher Miller—has drawn mixed critical responses ahead of its March 20, 2026, theatrical debut. Adapted from Andy Weir's novel, some praise its epic scope while others call it derivative. Weir has also teased a potential sequel.

Amazon MGM Studios released the final trailer for Project Hail Mary during the 2026 Super Bowl, showcasing Ryan Gosling's astronaut teaming up with an alien named Rocky to save their worlds from a dying sun. The sci-fi adaptation of Andy Weir's novel arrives in theaters on March 20, 2026. Directed by Phil Lord and Christopher Miller, the film highlights high-stakes space adventure and interstellar friendship.

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A Variety film critic has reviewed Michael Rozek's debut feature 'Marianne,' a one-woman conceptual project starring Isabelle Huppert. The review, part of the critic's farewell after two decades at the publication, describes the film as an earnest but flawed monologue on cinema's potential. Rozek's movie, made three years ago, explores themes of realism in film amid industry frustrations.

 

 

 

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