Before its popular Amazon adaptation, Robert Kirkman's Invincible comic received a motion comic treatment on MTV in 2008. This short-form animated version, now nearly impossible to access, offered fans a narrated glimpse into the story using comic panels. It highlighted the era's trend toward digital comic adaptations amid rising superhero popularity.
Robert Kirkman's Invincible gained early attention in the 2000s, leading to a motion comic adaptation that aired on MTV2 in 2008. Unlike the full animated series now streaming on Prime Video, this version consisted of short installments derived directly from the comic book panels. Voice actors brought the characters to life, with Patrick Cavanaugh voicing Invincible (Mark Grayson), Pete Sepenuk as Omni-Man, and Wendy Allyn as Atom Eve.
Produced by Gain Enterprises, the series employed the "Bomb-xx process," which animated comic pages by zooming in on key moments and displaying speech bubbles for narration. This format allowed for a low-cost way to adapt superhero stories, sticking closely to the source material without the need for extensive animation production.
The motion comics aired as supplementary programming on MTV's side channel, MTV2, during a time when digital downloads were emerging. Viewers could once download episodes via iTunes and other platforms, or access them on the MTV website. However, those options have since vanished, making the series difficult to find today without advanced online searching, such as on forums like the Lost Media Reddit board.
MTV's vice president of new media, David Gale, explained the strategy in a New York Times interview: "I like to think of it as cinematic comics – digital cinematic comics... I think it's important that in this age you really give the freedom to the consumer. If all you do is put it on a Web site and ask for them to find it, it's very challenging. I also think the evolution of download-to-own is becoming such an expected format for people to get content."
This adaptation coincided with the superhero boom sparked by films like Iron Man and The Dark Knight, yet it remains a niche curiosity from the Y2K era of comic adaptations, underscoring the challenges of preserving early digital media.