ジェーン・ショーンブルン監督によるホラー映画へのオマージュ作品が、5月13日にカンヌ国際映画祭の「ある視点」部門で初上映された。ハンナ・アインビンダーとジリアン・アンダーソンが出演しており、上映時間は112分。
本作はカンヌのドビュッシー劇場で同部門のオープニングを飾った。アインビンダー演じる映画監督のクリスが、アンダーソン演じるオリジナル版のスター、ビリー・プレストンと出会い、架空の映画シリーズ『Camp Miasma』のリブートに取り組む姿を描く。物語は、ホラー映画の定石に対するメタ的な解説と、欲望やアイデンティティの探求を融合させている。
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Marie Kreutzer's new drama Gentle Monster screened in competition at the Cannes Film Festival. The film stars Léa Seydoux as a mother confronting her husband's secret life involving child pornography.
Judith Godrèche premiered her first feature film at the Cannes Film Festival on May 18. The adaptation of Annie Ernaux’s novel explores a young woman’s sexual awakening in 1950s France.
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Kristine Froseth marked her first Cannes Film Festival appearance with the premiere of Nicolas Winding Refn’s thriller Her Private Hell. The Neon film earned a 12-minute standing ovation from audiences. Froseth described the event as a personal dream realized with her cast and crew.
Gustaf Skarsgård makes his feature directorial debut with the psychological horror film ”Kannibalen på Fårö”. The film is produced by Anagram and was presented at Film i Väst’s press meeting in Cannes.
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The first trailer for Backrooms was released on March 31, one of A24's most anticipated horror films for 2026. Directed by 20-year-old filmmaker Kane Parsons, it stars Chiwetel Ejiofor and Renate Reinsve. It is set to premiere in Chilean cinemas on May 28.
Mexican director Bruno Santamaría Razo's first narrative feature debuted in Cannes Critics' Week. The film draws directly from his childhood memories of his father's HIV diagnosis.
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The 79th Cannes Film Festival began on Tuesday with the premiere of Pierre Salvadori’s The Electric Kiss as the opening film. Stars and international filmmakers arrived on the Croisette in the French Riviera resort town for the event, which runs through May 23.