KPop Demon Hunters soundtrack holds top spot on movie songs chart

The soundtrack for Netflix's KPop Demon Hunters has maintained its dominance, spending another month at No. 1 on Billboard's Top Movie Songs Chart for November. The project has been credited with reshaping Netflix's approach to animated content. Kevin Woo, involved in the production, shared insights during a recent performance.

Netflix's KPop Demon Hunters, an animated feature blending K-pop elements with storytelling, continues to make waves in the music and entertainment industries. According to Billboard, its soundtrack secured the No. 1 position on the Top Movie Songs Chart for the month of November, marking an extended run at the summit. This achievement highlights the project's enduring popularity more than six months after its release.

An article published on December 12, 2025, explores how KPop Demon Hunters "changed the game for Netflix," suggesting innovative strategies in content creation that fused music and visuals to captivate global audiences. The film's success underscores a growing appetite for genre-mixing productions that integrate popular music trends.

At the 2025 Jingle Ball, Kevin Woo, a key figure in bringing the project to life, discussed its development in an interview dated December 24, 2025. Woo revealed his recent signing with Atlantic Records' 10K Projects, a move that aligns with the soundtrack's chart performance. He performed tracks from the project, emphasizing the collaborative effort behind its creation.

This sustained chart presence, as noted in a December 19, 2025, update, reflects the soundtrack's broad appeal, potentially setting precedents for future Netflix originals in music-driven narratives.

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'KPop Demon Hunters' wins two categories at Critics Choice Awards

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Netflix's animated film 'KPop Demon Hunters' has won Best Animated Feature and Best Song at the 31st Critics Choice Awards. The movie beat strong contenders from Disney and Pixar to claim both prizes. Its soundtrack has also re-entered the Billboard 200 at No. 3, underscoring its popularity.

The animated film KPop Demon Hunters, featuring a trio of singing demon slayers, achieved unprecedented success in 2025, topping multiple Billboard charts and becoming Netflix's most-watched movie ever. Its soundtrack propelled several K-pop artists to new career highs on the Hot 100. The project also garnered nominations across major awards, highlighting K-pop's growing global influence.

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Netflix's animated hit 'KPop Demon Hunters' claimed major wins at the 83rd Golden Globe Awards, securing Best Motion Picture – Animated and Best Original Song for 'Golden.' Korean stars like BLACKPINK's Lisa and director Park Chan-wook attended, highlighting the growing global reach of Korean entertainment.

The soundtrack for the upcoming film 'F1' is entering Grammy season as a contender for best compilation soundtrack for visual media. It faces competition from 'KPop Demon Hunters' and 'Wicked'. The nomination highlights the project's musical ambition.

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Screenwriters Danya Jimenez and Hannah McMechan, known for the hit animated film KPop Demon Hunters, have been hired to write the screenplay for Tim Burton's reimagining of the 1958 classic Attack of the Fifty Foot Woman. Warner Bros. Pictures is producing the project, with Burton directing and producing alongside others. The news was first reported by The Hollywood Reporter.

BLACKPINK's Rosé's 'APT.' and 'Golden' from the Netflix animated film 'KPop Demon Hunters' have been nominated for Song of the Year at the 68th Grammy Awards. Both tracks also earned nods in key categories like Best Pop Duo/Group Performance, highlighting K-pop's growing global influence. The ceremony is set for February 1, 2026, in Los Angeles.

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The soundtrack of Stree 2, composed entirely by Sachin-Jigar, has all its tracks reach the top ten on Spotify India's Weekly Top Songs chart, marking a 100% strike rate. This success underscores a trend favoring single-composer albums in Bollywood amid shifting industry practices. As the film's music dominates charts, it prompts calls for treating soundtracks as cohesive albums rather than compilations.

 

 

 

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