Specialty box office: 'Mother Mary' shines in limited debut as holdovers 'Exit 8', 'A Great Awakening' persist

Building on last week's indie top 10 success with 'Faces of Death', 'Exit 8' and 'A Great Awakening', several independent films again posted strong earnings this weekend. A24's 'Mother Mary' led limited releases, while Neon titles 'Exit 8' and 'The Christophers' expanded successfully. Holdover 'A Great Awakening' stayed in the top 10 amid a robust specialty box office featuring new docs and indies.

A24's Mother Mary, directed by David Lowery, opened to $168,000 across five screens ($33,600 per-theater average). Starring Anne Hathaway as pop icon Mother Mary reuniting with estranged friend (Michaela Coel) for a comeback concert, with songs by Jack Antonoff, Charli XCX and FKA twigs, it plans nationwide expansion next weekend. Neon's Exit 8 earned $669,400 in week 2 across 510 theaters (up from 495 last week), lifting cume to $2.8 million. The video game adaptation follows a man trapped in an endless subway seeking Exit 8. Neon's The Christophers, directed by Steven Soderbergh with Ian McKellen as a reclusive art figure, grossed $596,000 in week 2 on 364 theaters (cume $702,400). Focus Features' doc Lorne on SNL's Lorne Michaels (dir. Morgan Neville) debuted $270,000 on 415 screens, strong in NY/LA. Other limited openers: Magenta Light's Fireflies At El Mozote ($47,000/39 screens), Oscilloscope's Mad Bills To Pay ($23,000/2 NY screens). Roadside Attractions' A Great Awakening held top 10 with $823,700 (week 3, 939 screens; cume $6.6 million from prior $4.9M).

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A realistic illustration showing the horror movie Backrooms leading box office earnings in a cinema setting with eerie yellow rooms and financial charts.
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Backrooms leads global box office with 118 million

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Backrooms earned 118 million dollars worldwide in its opening weekend, marking a strong international debut for the A24 horror film. Obsession reached 148 million dollars globally while Michael climbed to 846.2 million dollars.

Three independent films held strong positions in the top ten this weekend. Obsession, The Invite and Young Washington each added to their cumulative totals amid broader competition.

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Bleecker Street’s Hadestown: The Musical earned $9.7 million in its opening weekend on 1,949 screens. The live capture ranks as the second-biggest opening for such a show since Hamilton. Distributor Crosswalk and partner LD Entertainment are extending the run due to strong demand.

The low-budget horror film Obsession earned $22 million in its second weekend, a 30 percent increase from its debut. The result marks an unusual hold for the genre and positions the movie for strong Memorial Day holiday totals.

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Angel Studios' Young Washington is set to open in theaters on July 4 on 2,700 screens. The PG-13 film joins limited rereleases of classic titles during a subdued July 4 weekend for new indie releases.

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