Josh Safdie and Gus Van Sant interview on Oscar contenders

Filmmakers Josh Safdie and Gus Van Sant share insights into the creation of two potential Oscar-nominated films. The feature explores the behind-the-scenes processes for Marty Supreme and Dead Man's Wire. Published on January 5, 2026, the article highlights their contributions to these projects.

The Hollywood Reporter has released a new feature titled "Marty Supreme, Dead Man's Wire: The Making of Two Oscar Contenders." This piece includes interviews with director Josh Safdie, known for his work in independent cinema, and Gus Van Sant, an acclaimed filmmaker behind projects like Good Will Hunting.

The discussions delve into the production challenges and creative decisions behind Marty Supreme and Dead Man's Wire, positioning both as strong candidates in the upcoming Oscar race. Safdie and Van Sant provide details on their approaches to storytelling and visual style, emphasizing the unique elements that set these films apart.

Published on January 5, 2026, the article offers a glimpse into the evolving landscape of awards-season contenders, focusing on innovation in narrative and technical execution. While specific quotes from the interviews are not detailed in the overview, the feature underscores the directors' passion for pushing cinematic boundaries.

This coverage arrives amid heightened anticipation for the 2026 Academy Awards, where such behind-the-scenes stories often influence voter perceptions.

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Movie theater marquee lit up on Christmas Eve showing 'Marty Supreme' box office success of $2 million in previews, with crowds and ping pong-themed decorations.
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Marty Supreme earns $2 million in Christmas Eve previews

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Timothée Chalamet's table tennis dramedy Marty Supreme generated $2 million in previews on Christmas Eve, nearly tying with Sony's Anaconda. The film, directed by Josh Safdie, is loosely based on the life of 1950s ping pong champion Marty Reisman. It follows a strong limited release and targets over $20 million for the holiday weekend.

Josh Safdie's new film Marty Supreme stars Timothée Chalamet as a young salesman in 1950s New York, drawing comparisons to the director's earlier work Uncut Gems. The movie features a cast including Gwyneth Paltrow and Tyler, the Creator, and marks Safdie's first solo directorial effort since 2008. Richard Brody's review in The New Yorker highlights its exuberant tone and happy ending.

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Following its acclaimed limited release, director Josh Safdie and co-writer Ronald Bronstein discussed the inspirations behind Marty Supreme—a film starring Timothée Chalamet as post-World War II ping-pong champion Marty Reisman—in a recent podcast. The project represents Safdie's solo directorial turn after Uncut Gems and has posted impressive early box office numbers.

Ryan Coogler's 'Sinners' dominated the 98th Academy Award nominations announced on January 22, 2026, securing a record-breaking 16 nods and surpassing the previous high of 14 shared by 'All About Eve,' 'Titanic,' and 'La La Land.' Paul Thomas Anderson's 'One Battle After Another' followed with 13 nominations, while Timothée Chalamet became the youngest man to earn three Best Actor nods for 'Marty Supreme.'

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Timothée Chalamet received a rock-star welcome at the Paris premiere of his new film Marty Supreme, where he jokingly addressed high ticket prices. The actor, who produced and starred in the A24 movie, praised France's cinema culture while presenting it in French. The event highlighted his recent awards success for the role.

Josh Safdie's 'Marty Supreme,' starring Timothée Chalamet as a 1950s table tennis hustler, added $27 million over the four-day Christmas weekend, bringing its total to $28.3 million and debuting at No. 3. This extends Chalamet's streak of holiday hits, following 'Wonka' and 'A Complete Unknown.'

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Deadline's Doc Talk podcast dissects the shocks from the 2026 Academy Awards documentary shortlists. Hosts John Ridley and Matt Carey highlight snubs and unexpected inclusions amid a competitive field. The episode explores the Academy's selections from a record 201 qualifying films down to 15 finalists.

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