Eva Victor's 'Sorry, Baby' screenplay featured in Deadline series

Eva Victor's directorial debut 'Sorry, Baby' has earned acclaim for its exploration of trauma and healing. The indie film premiered at Sundance, winning the Waldo Salt Screenwriting Award, and now its screenplay is available through Deadline's awards-season series. Victor stars as Agnes, a woman grappling with the aftermath of a sexual assault.

Eva Victor's 'Sorry, Baby' marks their feature writing and directing debut, centering on Agnes, who lives in a quaint home near a New England college where she once studied. The story unfolds in non-linear segments, blending gallows humor to depict Agnes's struggle after being sexually assaulted by her thesis mentor, Louis Cancelmi, during her final year of school. The assault is never shown directly; instead, it becomes an integral part of Agnes's life, leaving her seemingly stuck while others move forward.

Agnes, played by Victor, is on the cusp of securing a professorship in her old English department, taking over the office of her attacker who fled after the incident. Her college roommate Lydie, portrayed by Naomi Ackie, now lives in New York and is expecting a baby, offering crucial support. A caring neighbor, played by Lucas Hedges, also aids Agnes in navigating her trauma.

The screenplay was written by Victor during the Covid lockdown in a Maine cabin and remained largely unchanged from the first draft. Victor, known for their role in Showtime's 'Billions,' explained their motivation: “I found myself writing the film I felt I needed when I found myself in a similar crisis to Agnes. I didn’t want to write about violence or assault specifically as much as I wanted to explore how a person heals. What interested me most was digging into that feeling of being stuck, seeing people you love moving on, while you’re still caught thick in the bad thing that happened to you. I started out writing this for the person I used to be.”

Produced in part by Barry Jenkins, Adele Romanski, and Mark Ceryak's Pastel, the film premiered at the Sundance Film Festival in 2025, where Victor won the Waldo Salt Screenwriting Award. It later screened in Cannes' Directors’ Fortnight. A24 acquired the dramatic comedy in Park City and released it theatrically in late June 2025. The film has secured a Critics Choice nomination for original screenplay, a Golden Globes Best Actress – Drama nod for Victor, and Indie Spirits nominations for Best Picture, Best Screenplay, and Best Director.

Awọn iroyin ti o ni ibatan

Actors receiving standing ovation at Cannes premiere of Paper Tiger
Àwòrán tí AI ṣe

Paper Tiger earns standing ovation at Cannes premiere

Ti AI ṣe iroyin Àwòrán tí AI ṣe

James Gray's crime drama Paper Tiger premiered at the Cannes Film Festival on Saturday night, drawing a standing ovation lasting seven to ten minutes. The film stars Adam Driver, Miles Teller and Scarlett Johansson in a story of two brothers caught up with the Russian mob.

The documentary 'Baby/Girls,' directed by Alyse Walsh and Jackie Jesko, profiles teenage mothers in rural Arkansas following the 2022 overturning of Roe v. Wade. Filmed over two years at a Christian maternity home, the film highlights the personal and cultural challenges faced by its young subjects. It premieres in the Documentary Spotlight section at SXSW.

Ti AI ṣe iroyin

Nicolas Winding Refn's latest film 'Her Private Hell' premiered out of competition at the Cannes Film Festival and received a lengthy standing ovation. The director shared personal reflections during the post-screening remarks. The movie stars Sophie Thatcher and Charles Melton.

In a recent interview, Maggie Gyllenhaal discussed her directorial follow-up to The Lost Daughter, the $80 million-budgeted The Bride!, a revisionist take on Mary Shelley's Frankenstein. She highlighted positive test screenings and collaboration with Warner Bros. amid the studio's acquisition by Paramount. The film releases in theaters on Friday.

Ti AI ṣe iroyin

Maggie Gyllenhaal directed The Bride!, a reimagining of the 1935 film Bride of Frankenstein, featuring her husband Peter Sarsgaard and brother Jake Gyllenhaal in key roles. At the New York premiere, she discussed the casting process and the film's feminist themes, drawing from Mary Shelley's original novel. Her godmother Jamie Lee Curtis has publicly championed the project as a major supporter.

Maggie Gyllenhaal's second feature film, 'The Bride!,' offers a feminist reinterpretation of the Frankenstein story, starring Jessie Buckley and Christian Bale. Set in 1936 Chicago, the movie follows the monster and his revived bride as they navigate love and rebellion. Critics note its punk energy but critique its pacing.

Ojú-ìwé yìí nlo kuki

A nlo kuki fun itupalẹ lati mu ilọsiwaju wa. Ka ìlànà àṣírí wa fun alaye siwaju sii.
Kọ