Kanadischer Horrorfilm Buffet Infinity erscheint digital

Der Indie-Horrorfilm Buffet Infinity, der vollständig aus surrealen lokalen Werbespots besteht, ist ab sofort über Yellow Veil Pictures digital verfügbar.

Simon Glassman schrieb das Drehbuch und führte Regie bei dem kanadischen Film, der sich durch Werbeanzeigen aus einer Kleinstadt in Alberta entfaltet. Die Geschichte beginnt mit üblichen Werbungen für lokale Unternehmen, bevor sie zu skurrilen Spots für das neue Restaurant Buffet Infinity übergeht. Die Spannung steigt, als Jenny’s Sandwich Shop aggressiv in Konkurrenz tritt, was zu Berichten über Jennys Verschwinden, einem wachsenden Erdloch in der Innenstadt und Warnungen eines Kultführers vor dem Weltuntergang führt.

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Illustration of a movie theater showing the horror film Backrooms with box office success highlighted.
Bild generiert von KI

A24 horror film Backrooms opens to $76 million weekend

Von KI berichtet Bild generiert von KI

Kane Parsons' directorial debut Backrooms opened strongly at the domestic box office this weekend. The A24 release, based on the filmmaker's popular YouTube series, earned between $76 million and $79 million.

French director Quentin Dupieux screened his new absurdist comedy Full Phil out of competition at the Cannes Film Festival on March 17. The film stars Woody Harrelson and Kristen Stewart as a feuding father and daughter.

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Several independent films began limited runs in New York and other cities this weekend. The releases include a psycho-sexual thriller and a documentary on musician Linda Perry timed to her new album.

John Early's Maddie's Secret grossed $58,200 in its opening weekend at New York's IFC Center, marking the venue's biggest debut in more than two years.

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Mena Suvari, Jean Evans, Steph Tolev and Jake Picking have been cast in the upcoming film The Incredible Edible. The project is a teen body-swap comedy directed by Jenna Milly.

Jane Schoenbrun’s slasher homage premiered on May 13 at the Cannes Film Festival’s Un Certain Regard section. The film stars Hannah Einbinder and Gillian Anderson and runs 112 minutes.

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CAA teamed with Finch & Partners to host an exclusive symposium on the future of film during the Cannes Film Festival. The private gathering drew top filmmakers, studio executives and financiers to discuss industry challenges including artificial intelligence and audience engagement.

 

 

 

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