Jamel Debbouze's soccer comedy Mercato arrives on VOD in 2025

French comedian Jamel Debbouze stars in Mercato, a biting comedy exploring the high-stakes world of soccer transfers. Based on Debbouze's original idea, the film follows a struggling sports agent racing against time. It becomes available for purchase on VOD from June 25, 2025, and for rental from July 2.

Mercato delves into the behind-the-scenes chaos of modern soccer, a global industry where billions are at stake. Jamel Debbouze, an emblematic figure in French cinema known for roles in Le Fabuleux Destin d'Amélie Poulain and Indigènes, plays Driss, a drifting sports agent on the brink of disaster. With just seven days left before the transfer market closes, Driss must turn his life around to save his career.

Directed by Tristan Séguela, with a screenplay by Olivier Demangel and Thomas Finkielkraut, the film blends drama and humor to offer a fresh perspective on a world often misunderstood by the public. Séguela's previous works, such as 16 ou presque and Docteur ?, have earned praise for their engaging narratives, and this collaboration promises a captivating story enriched by Debbouze's commitment from the project's inception.

The movie is poised to appeal to soccer fans, providing insight into the complex dynamics of the sport while delivering laughs. As Debbouze brings unique depth to the role, Mercato highlights his versatility in exploring new cinematic horizons. Viewers can look forward to its digital debut, making it accessible beyond theaters.

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Intermarché's 'Le Mal-Aimé' ad achieves global success

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Intermarché's Christmas ad, 'Le Mal-Aimé', has captivated the world with over 600 million views on social media since its release on December 6. This animated short, produced by a French studio without using AI, features a wolf learning to cook vegetables to fit in. The success highlights the talent of the French animation industry.

Concourse Media has secured worldwide sales rights for the Costa Rican family drama April ahead of its world premiere at the Santa Barbara International Film Festival on February 7. The film marks actor François Arnaud's first Spanish-speaking role as a bartender who forms a bond with the protagonist. Directed by Hernán Jiménez, the story draws from his personal experiences with his mother.

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The European Film Market begins on Thursday with a selection of films featuring prominent actors such as Emma Roberts, Kristen Stewart and Javier Bardem. Buyers can explore projects ranging from horror thrillers to romantic comedies. Highlights include stories of personal trauma, international intrigue and animated adventures.

For the first time since the Palme d'Or was created in 1955, three Spanish films will compete in Cannes Film Festival's official section. They are Amarga Navidad by Pedro Almodóvar, El ser querido by Rodrigo Sorogoyen, and La bola negra by Javier Calvo and Javier Ambrossi (Los Javis). Thierry Frémaux, the festival's general delegate, made the announcement.

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The film 'El Botín', a suspense and drama thriller inspired by real events in Miami, arrives on Netflix starring Matt Damon and Ben Affleck. The movie features Colombian actresses Catalina Sandino and Sasha Calle, adding a Latin touch to the story. The lead actors highlight their decades-long friendship and the talent of their co-stars.

While the global box office rose 12% to $33.5 billion in 2025, France bucked the trend with a 13.6% decline to 156.79 million admissions and an estimated $1.17 billion in revenue. Disney dominated the top spots with animated and blockbuster films, while local productions held a strong 37.7% market share. A late-year rebound offers hope for 2026 recovery.

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Following its historic Best International Film win at the Critics Choice Awards, Brazilian actor Wagner Moura appeared on the 2026 Golden Globes red carpet with a talisman of Fernanda Torres, dubbed 'Santa Nanda da Sorte', as a good luck charm. Nominated for best actor in a drama film for 'O Agente Secreto', he arrived with wife Sandra Delgado in a white Maison Margiela suit. The film, a first for Brazilian cinema, contended in three categories.

 

 

 

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