British band The Last Dinner Party performed at Fållan in Stockholm during their tour for the new album 'From the pyre'. Reviewer Saga Cavallin notes that the band is most charming when having the most fun, but warns that a flummier direction may require smaller venues on their next visit. Highlights included the ballad 'Sail away' and the song 'Gjuha' in Albanian.
The Last Dinner Party, a band with five female and non-binary members from England, mixes symphonic rock, baroque pop, keytar, flute, Greek mythology, and influences from Freddie Mercury. Previously, DN's Sara Martinsson gave their debut album 'Prelude to ecstasy' from 2024 a one in rating. Now on tour for the follow-up 'From the pyre', the band was tested at Fållan in Stockholm.
The band operates as a flat hierarchy where roles shift. Lead singer Abigail Morris captures attention in knee-high lace-up boots and a corset blouse, like a 'manic pixie Mick Jagger', while guitarist Lizzie Mayland and pianist Aurora Nishevci have strong voices with great range. Abigail plays several instruments on stage, and all wear extravagant outfits blending Gustav Vasa style with Vivienne Westwood – ruffs, tartan, patent boots, and puffed sleeves.
The debut album 'Prelude to ecstasy' consists of naive pop songs with sticky choruses and pretentious elements, while 'From the pyre' explores time changes, hard rock solos, and virtuosity. At the concert, the most challenging moments shone, like the ballad 'Sail away' with Abigail's high notes and a total crescendo. A highlight was 'Gjuha' from the debut album, sung in Albanian by Aurora Nishevci. Hits like 'Caesar on a TV screen' and 'Nothing Matters' however lacked the expected weight and fell flat.
The Last Dinner Party is most charming when having the most fun, which forgives their 1970s grandeur. Fållan marks a crossroads: if they become flummier, they will likely need a smaller stage next time in Stockholm, according to Saga Cavallin.
