In an interview published on February 25, 2026, Iraqi singer Humam Ibrahim shares his experiences of Ramadan in Iraq and Egypt, emphasizing depth over fleeting trends in his artistic career. He discusses his vision for Iraqi music in the digital age and stresses the importance of privacy and sincerity in his work.
Iraqi singer Humam Ibrahim describes Ramadan in Iraq as carrying a deep spirituality mixed with nostalgia, where everything changes from the sighting of the crescent moon, including family gatherings, the call to prayer, and the simplicity of shared iftars. He notes that 'people genuinely feel one another’s struggles,' with a quiet sadness intertwined with serenity. In Egypt, he sees Ramadan as vibrant and celebratory, with streets alive with lanterns, charity tables, and series, creating an instant collective joy that embraces even guests.
Ibrahim avoids choosing between the two, viewing Iraq as representing his roots, reflection, and depth, while Egypt offers openness, celebration, and warmth, with each experience completing the other. He has not released Ramadan songs yet, taking the matter seriously, stating: 'A supplication is not just a seasonal track; it is a responsibility.' He awaits the right moment for something authentic to his spiritual journey, possibly an Iraqi-style Ramadan song.
Regarding his recent songs, Ibrahim differentiates 'Al-Tayyib Ziyada,' which celebrates kindness, 'Ya Rouhi,' speaking of a spiritual bond, and 'Hob Gheiry,' confronting betrayal honestly. He participated in the Very Short Film Festival (VS-FILM) in November 2025, performing his songs, Iraqi classics, and Abdel Halim Hafez's 'Zay El Hawa,' feeling cultural appreciation. He has performed multiple times at the Cairo Opera House, seeing the stage as a responsibility to present Iraqi heritage contemporarily.
Ibrahim declines acting offers due to fear of unreadiness but carefully considers television theme song proposals. He maintains privacy in his personal life, especially his marriage, to preserve balance. He views Iraqi music as in a strong phase thanks to digital platforms but warns against losing authenticity. Plans include songs in Egyptian and Gulf dialects, collaboration with Kadim Al Sahir, a second heritage album, and concerts in Arab countries, including a return to Iraq.
