The daily program ‘No somos nadie’, aired on the Ten channel and produced by La Osa Producciones Audiovisuales, will conclude on January 30. This decision, agreed upon by the channel and the producer, aims to evolve toward new joint projects. María Patiño and Carlota Corredera have been its main presenters.
The program ‘No somos nadie’ started in September 2025 as the spiritual heir to ‘Ni que fuéramos’, a space that revived the ‘Sálvame’ universe first on social media and then on generalist television on the TDT channel Ten. María Patiño hosted from Monday to Thursday, marking her return to the format after the failed ‘La familia de la tele’ on La 1. On Fridays, Carlota Corredera took over. In its beginnings, it featured collaborators like Belén Esteban and Kiko Matamoros, though neither remained on the show.
The announcement of its end came in a joint statement from Ten and La Osa, which states: “This closing of the cycle responds to the will of both parties to evolve toward new projects.” Both entities now plan a “creative collaboration” to explore “new narratives in different time slots.” The statement adds: “Both companies are analyzing different options and formats that will allow Ten TV to continue incorporating live content on current affairs and entertainment, always under the premise of innovation and adaptation to the current demands of the audience.”
La Osa, owned by Óscar Cornejo and Adrián Madrid, reflects on this stage: “‘No somos nadie’, along with the formats that preceded it in this stage, has been a key piece in La Osa’s transformation process. Its end responds to a conscious decision to close a cycle to consolidate itself, without ties or past inertias, as an independent producer that today works from business freedom and full creative autonomy.” The producer keeps active projects like ‘Directo al grano’ and ‘Malas lenguas’ on TVE, with good audience figures. They add: “Television and its codes change constantly. Today, La Osa Producciones Audiovisuales manages projects within highly demanding frameworks, from a contemporary view of television and responsible for its social function.” This closure seems to mark the end of an era for the producer, focused on innovation and business maturity.
