Miguel Coyula, Cuban director embodying the new man

Miguel Coyula Aquino, born in Havana in 1977, is an independent director who handles every aspect of his films, from screenplays to editing. His cinema invites reflection through fragmented images and innovative visual styles, even as he faces professional marginalization in Cuba. Despite this, he wins international awards and travels with his partner, actress Lynn Cruz.

Miguel Coyula Aquino, born in Havana in 1977, stands out as an independent director in Cuban cinema. He personally manages the screenplays, cinematography, editing, and music of his works, stressing that the text must be visual to define rhythm and tone. He uses storyboards to plan precise shots. As Coyula puts it, growing up in Cuba offers unique training: “Growing up in Cuba is incredible training for functioning anywhere in the world, because it teaches you to do a lot with nothing.”

His films delve into inconsistencies and paradoxes in Cuban contexts, blending documentary and fictional elements. A key work is Memorias del desarrollo (2010), based on a novel by Edmundo Desnoes, which earned about twenty awards in Cuba and abroad. The film tackles existential unease with a fragmented, frenetic style, echoing Memorias del subdesarrollo (1968) by Tomás Gutiérrez Alea, also adapted from Desnoes. Other productions include Nadie (2017), a dialogue with poet Rafael Alcides; Corazón azul (2021); and Crónicas del absurdo (2024).

Despite state indifference and professional marginalization in Cuba, Coyula screens his films locally and joins international events. He lives under watchful eyes but retains freedom to travel and accept accolades. Beyond cinema, he has published novels such as Mar Rojo, Mal Azul (2013) and La isla vertical (2022), plus the nonfiction book Matar el realismo (2024), featuring photos, texts, and interviews.

Article author Franco Avicolli respects Coyula's path, though he disagrees with the director's broad criticism of Fidel Castro. He sees in Coyula's rejection of regime propaganda the seed of the revolutionary “new man,” opposing exclusionary industrial development models.

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Black-and-white portrait of José Luis Cienfuegos, Seminci director, with symbolic film festival backgrounds honoring his legacy.
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José luis cienfuegos, seminci director, dies at 60

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José Luis Cienfuegos, director of the Valladolid International Film Week (Seminci), died on December 2, 2025, at age 60 from a cerebral hemorrhage in Madrid. Born in Avilés, he transformed key Spanish film festivals over three decades. His legacy includes renewing the events in Gijón, Sevilla, and Valladolid.

In a recent interview, Cuban actor and activist Yunior Garcia Aguilera shares his theater experiences, opposition role, and essential reforms for a potential transition in Cuba. Exiled in Madrid after regime threats, he stresses the need for rule of law, public order, and market freedom. Garcia admits past mistakes due to lack of political preparation and urges sharing concrete projects for the country's future.

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Prime Minister Manuel Marrero Cruz stressed that Cuban municipalities must lead their own development at an extraordinary Provincial Government Council meeting in Ciego de Ávila. He highlighted the province's strategic role in food production amid a war economy imposed by the US blockade. He called for a mentality shift and multiplied concrete actions for sustainability.

The 46th International Festival of New Latin American Cinema in Havana ended its awards ceremony with the Colombian film 'A Poet' as the big winner, securing two Coral Awards. The final weekend featured screenings of films that won Coral and Collateral awards.

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In a reflective essay, Cuban writer Eduardo N. Cordoví portrays Cuba as 'the country of the sigüaraya', an emblematic tree symbolizing the nation's contradictions and absurdities. Through anecdotes from his Lawton neighborhood in Havana, he illustrates the evolution from a prosperous area to one plagued by corruption and decline. He critiques how current leaders demand defense of nonexistent achievements, heightening social paradoxes.

Lien Estrada, a contributor to independent media, received an offer to coordinate women's groups at Cuba's National Center for Sexual Education (CENESEX). Though interested due to her feminist training, she hesitates because of director Mariela Castro Espín. Her mother warns of potential rejection over her journalism.

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Culture Minister Ernest Urtasun and councilor Sònia Hernández presented the Acción Portabella program at the Filmoteca de Catalunya, featuring acts, exhibitions, and screenings to commemorate filmmaker Pere Portabella's centenary. The event kicks off the Año Portabella, starting on his 99th birthday on February 11. The initiative involves 62 entities, including 20 international ones.

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