Miguel Coyula, Cuban director embodying the new man

Miguel Coyula Aquino, born in Havana in 1977, is an independent director who handles every aspect of his films, from screenplays to editing. His cinema invites reflection through fragmented images and innovative visual styles, even as he faces professional marginalization in Cuba. Despite this, he wins international awards and travels with his partner, actress Lynn Cruz.

Miguel Coyula Aquino, born in Havana in 1977, stands out as an independent director in Cuban cinema. He personally manages the screenplays, cinematography, editing, and music of his works, stressing that the text must be visual to define rhythm and tone. He uses storyboards to plan precise shots. As Coyula puts it, growing up in Cuba offers unique training: “Growing up in Cuba is incredible training for functioning anywhere in the world, because it teaches you to do a lot with nothing.”

His films delve into inconsistencies and paradoxes in Cuban contexts, blending documentary and fictional elements. A key work is Memorias del desarrollo (2010), based on a novel by Edmundo Desnoes, which earned about twenty awards in Cuba and abroad. The film tackles existential unease with a fragmented, frenetic style, echoing Memorias del subdesarrollo (1968) by Tomás Gutiérrez Alea, also adapted from Desnoes. Other productions include Nadie (2017), a dialogue with poet Rafael Alcides; Corazón azul (2021); and Crónicas del absurdo (2024).

Despite state indifference and professional marginalization in Cuba, Coyula screens his films locally and joins international events. He lives under watchful eyes but retains freedom to travel and accept accolades. Beyond cinema, he has published novels such as Mar Rojo, Mal Azul (2013) and La isla vertical (2022), plus the nonfiction book Matar el realismo (2024), featuring photos, texts, and interviews.

Article author Franco Avicolli respects Coyula's path, though he disagrees with the director's broad criticism of Fidel Castro. He sees in Coyula's rejection of regime propaganda the seed of the revolutionary “new man,” opposing exclusionary industrial development models.

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Black-and-white portrait of José Luis Cienfuegos, Seminci director, with symbolic film festival backgrounds honoring his legacy.
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José luis cienfuegos, seminci director, dies at 60

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José Luis Cienfuegos, director of the Valladolid International Film Week (Seminci), died on December 2, 2025, at age 60 from a cerebral hemorrhage in Madrid. Born in Avilés, he transformed key Spanish film festivals over three decades. His legacy includes renewing the events in Gijón, Sevilla, and Valladolid.

In a recent interview, Cuban actor and activist Yunior Garcia Aguilera shares his theater experiences, opposition role, and essential reforms for a potential transition in Cuba. Exiled in Madrid after regime threats, he stresses the need for rule of law, public order, and market freedom. Garcia admits past mistakes due to lack of political preparation and urges sharing concrete projects for the country's future.

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Prime Minister Manuel Marrero Cruz stressed that Cuban municipalities must lead their own development at an extraordinary Provincial Government Council meeting in Ciego de Ávila. He highlighted the province's strategic role in food production amid a war economy imposed by the US blockade. He called for a mentality shift and multiplied concrete actions for sustainability.

Cuban authorities arrested Ernesto Medina and Kamil Zayas, members of the El4tico project in Holguín, on Friday, seen as a warning against youth dissent. The activists, known for their critical videos of the government, face detention for voicing opinions on the system's failures. Zayas left a prior message denouncing the repression as an attempt to silence the truth.

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Spanish actor Adolfo Fernández, known for his role in the series Águila Roja, has died at 67 in his home in Perales de Tajuña from cancer. Born in Sevilla in 1958 and raised in Bilbao, Fernández shone in film, television, and theater over more than four decades. His final wish was to donate his body to science, with no wake or funeral.

In a reflective essay, Cuban writer Eduardo N. Cordoví portrays Cuba as 'the country of the sigüaraya', an emblematic tree symbolizing the nation's contradictions and absurdities. Through anecdotes from his Lawton neighborhood in Havana, he illustrates the evolution from a prosperous area to one plagued by corruption and decline. He critiques how current leaders demand defense of nonexistent achievements, heightening social paradoxes.

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An opinion piece in Havana Times questions an image of Cuban youths wearing red MCGA caps, akin to Trump's MAGA, noting its perceived artificiality and parallels to the current regime. Author Miguel Coyula supports freedom of expression but distances himself from the movement. The Cuban government has banned demonstrations supporting Trump.

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