Stefano Gabbana resigns from management at Dolce & Gabbana

Dolce & Gabbana confirmed that co-founder Stefano Gabbana has stepped down from his management positions, effective January 1, 2026. The company stated that the resignations have no impact on his ongoing creative activities. This clarification follows earlier reports suggesting a broader departure.

Dolce & Gabbana issued a statement on Friday announcing the resignations of Stefano Gabbana from his roles at Dolce & Gabbana Holding Srl, Dolce & Gabbana Trademarks Srl, and Dolce & Gabbana Srl. The changes are described as part of a natural evolution in the company's organizational structure and governance. Gabbana, who co-founded the brand in 1985 with Domenico Dolce, retains a significant stake in the privately owned business and will continue contributing creatively, according to the company. The announcement addresses speculation about Gabbana's involvement amid challenges in the luxury sector. A Bloomberg report from March 2026 noted that Dolce & Gabbana is negotiating with lenders over its debt position due to a market downturn. The company declined to comment further on those talks, stating they are ongoing. This development underscores shifts in leadership at the Italian fashion house, which remains under private ownership by its founders.

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Dolce & Gabbana Fall 2026 runway at Milan Fashion Week: models in black tailored outfits, Madonna in front row, designers applauding.
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Dolce & Gabbana reaffirms identity at Milan fashion week show

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Dolce & Gabbana presented its Fall 2026 Ready-to-Wear collection in Milan on February 28, emphasizing the brand's enduring identity amid changes in Italian fashion. The show featured mostly black outfits with innovative tailoring and drew notable attention from guest Madonna. Designers Domenico Dolce and Stefano Gabbana highlighted their commitment to recognizable style without following trends.

Demna Gvasalia presented his first runway show for Gucci on February 27, 2026, at Milan Fashion Week, blending the brand's heritage with sensual, body-conscious designs inspired by Tom Ford's era and Sandro Botticelli's Primavera. The collection, titled Primavera, featured a diverse cast of models including Kate Moss and emerging digital influencers, set against a museum-like backdrop with Roman statue replicas. Front-row celebrities like Demi Moore and Paris Hilton witnessed looks emphasizing emotion over intellect, with some pieces available for immediate purchase.

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Milan Fashion Week for fall/winter 2026 concluded on March 1 with debuts from new creative directors at houses like Gucci, Fendi and Marni. Shows highlighted practical suiting, layered looks and innovative outerwear amid celebrity appearances. Trends emphasized minimalism blended with opulence in response to global uncertainties.

Alessandro Michele presented his fall 2026 ready-to-wear collection for Valentino at the historic Palazzo Barberini in Rome, marking the brand's first catwalk there and a tribute to the late Valentino Garavani. The show drew celebrities including Gwyneth Paltrow to the front row. The 84-piece lineup featured a palette inspired by Italian Renaissance painters, with draping and sparkle.

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Spanish retailer Zara has entered a two-year creative partnership with designer John Galliano to re-author its archives. This marks his return to fashion after leaving Maison Margiela in 2024. The collaboration stems from Galliano's friendship with Inditex chair Marta Ortega Perez.

British designer Mark Thomas is departing his role as design director at Carven at the end of April, the French heritage house announced. The brand, owned by China's ICCF Group, praised his vision for revitalizing its identity. Thomas expressed gratitude to the team and leadership.

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Belgian designer Meryll Rogge unveiled her first collection as Marni's creative director during Milan Fashion Week on February 26, 2026. The show returned the brand to its foundational codes established by founder Consuelo Castiglioni, emphasizing wearability and subtle references to archival pieces. Industry reactions praised the modern reinterpretation of Marni's quirky, anti-glamour aesthetic.

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