Government assigns two Goya portraits to Seville's Museum of Fine Arts

Spain's Ministry of Culture has announced that two portraits of Carlos IV and María Luisa de Parma, painted by Francisco de Goya in 1789 on commission from Seville's Royal Tobacco Factory, will join the permanent collection of the city's Museum of Fine Arts. The decision follows a March Supreme Court ruling confirming state ownership against a 2017 claim by Altadis. The paintings will move there after a temporary exhibition ends on June 15.

Spain's Ministry of Culture informed Andalusia's Department of Culture and Sports on Friday that the portraits are assigned to the Museum of Fine Arts, state-owned and regionally managed. Currently held at the General Archive of the Indies, the paintings will leave the temporary exhibition 'The Art of Preserving Memory' on June 15 for their permanent transfer.

Regional Culture Minister Patricia del Pozo voiced her delight: “We are very happy in Andalusia and very grateful to the minister and the Ministry of Culture for agreeing to our request to deposit those two paintings in Seville's Fine Arts Museum, once state ownership was declared.” In a late-March letter to Minister Ernest Urtasun, she argued the works “dialogue with Seville's history and are best housed in their home, the Fine Arts Museum.”

Commissioned for the monarchs' oath celebrations in Fame Square, the oils measure 128 x 95.5 cm for Carlos IV—dressed in red with the Golden Fleece—and 126 x 94 cm for 37-year-old María Luisa in a blue silk dress. Goya received 4,000 reales de vellón on May 11, 1789, without assistants, per the receipt. This addition complements the museum's other historical canvases, such as those by Domingo Martínez.

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Triumphant bullfighter Morante de la Puebla celebrates cutting two ears at sold-out Seville bullfight with former King Juan Carlos I in attendance.
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Morante de la Puebla cuts two ears in triumphant return to Seville

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José Antonio Morante de la Puebla made his comeback at Seville's Real Maestranza on Easter Sunday, cutting two ears before an ecstatic crowd with former King Juan Carlos I in attendance. Bullfighters Roca Rey and David de Miranda also earned trophies in the Garcigrande bullfight. The event drew numerous public figures and sold out completely.

The Salón de Arte Moderno (SAM) in Madrid, Spain, features a Fernando Botero painting valued at $2.3 million until March 8. Titled ‘Courbet en el campo’, the work stands out among exhibits at the Círculo de Bellas Artes. The event has become an essential gathering for art collectors.

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Five hundred years ago, King Francis I of France left Madrid after nearly a year as Carlos I's hostage. He was captured at the Battle of Pavia and housed in luxury in the city. He received royal attention and freedom of movement.

Andy Cartagena opened the Puerta del Príncipe at the ninth subscription event of Seville's Feria de Abril at La Maestranza bullring, cutting three ears from noble bulls by El Capea and Carmen Lorenzo. Lea Vicens earned one ear while Guillermo Hermoso de Mendoza cut two ears, though he faltered on the kill in his second bull. The event drew more than three-quarters capacity.

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The University of Antioquia's University Museum (Muua) in Medellín opens the 'Altares' exhibition featuring 27 works by artist Jaime Arango Correa, including unpublished pieces, one year after his death. The show explores themes such as the sacred, death, and the existential across over four decades of his production. The opening is set for April 15.

Legionaries from Brigada Rey Alfonso XIII arrived in Malaga this morning on the frigate Galicia and paraded to Plaza de Fray Alonso de Santo Tomás, where hundreds greeted them with applause and cheers of 'Viva España! Viva la Legión! Viva el Cristo de la Buena Muerte!'. They took part in transferring the crucifix of Congregación de Mena to its processional throne, a hallmark Holy Thursday event. Authorities and Malaga's bishop led the ceremony.

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The 'Memória Paulistana' exhibition by artist Cristiane Carbone honors São Paulo's anniversary through paintings exploring the city's history and architecture. The free show runs until March 13 at the Associação Paulista de Medicina. Carbone, with 34 years in her career, emphasizes art's role in preserving São Paulo's heritage.

 

 

 

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