Zambrano family formalizes Gelman Collection administration

The Zambrano family has formalized a new administration scheme for the Gelman Collection, one of the most significant private holdings of modern Mexican art, to ensure its preservation and public access. Acquired in 2023, the collection is currently on display at Mexico's Museo de Arte Moderno, drawing over 50,000 visitors in its first showing in the country in nearly two decades.

The Gelman Collection, comprising over 200 works, originated in 1943 when Diego Rivera painted Natasha Gelman's portrait on commission from her and her husband Jacques. After Jacques's death in 1986 and Natasha's in 1998, curator Robert R. Littman managed it through Fundación Vergel, adding contemporary and European pieces.

In 2023, the Zambrano family acquired the collection to return it to Mexican ownership. It features 10 oils by Frida Kahlo, as well as works by José Clemente Orozco, David Alfaro Siqueiros, and Rufino Tamayo, among other iconic 20th-century artists.

It is now on view at the Museo de Arte Moderno, attracting more than 50,000 visitors. The Zambrano family signed an agreement with Fundación Banco Santander for its administration, while the Instituto Nacional de Bellas Artes y Literatura will oversee its physical condition and authorize transfers.

The arrangement enables exhibitions in Mexico and international museums via temporary exports, with a return guarantee. Ownership remains in Mexican hands, safeguarding this cultural heritage.

Awọn iroyin ti o ni ibatan

Alt text for news article: Vibrant exhibition displays of salsa music history in the Smithsonian museum gallery.
Àwòrán tí AI ṣe

Smithsonian to open salsa music exhibition in National Museum of American History’s Molina Family Latino Gallery

Ti AI ṣe iroyin Àwòrán tí AI ṣe Ti ṣayẹwo fun ododo

The Smithsonian’s National Museum of American History is set to open a new bilingual exhibition on salsa music, “¡Puro Ritmo! The Musical Journey of Salsa,” on April 18, 2026, in the museum’s 1 East Molina Family Latino Gallery.

The Museo de Arte Latinoamericano de Buenos Aires (Malba) opened the “Latinoamérica en expansión” exhibition as part of its 25th anniversary celebrations. The show gathers around 150 works created between 1900 and the 1970s from its collection, the Costantini collection, and—shown publicly for the first time—pieces from the Colección Daros Latinamerica, which Malba acquired last year for up to US$45 million.

Ti AI ṣe iroyin

New York's Supreme Court ordered on April 3 the return to Philippe Maestracci of a Modigliani painting looted from his grandfather by the Nazis. The work, valued at 21.5 million euros, was the subject of a 17-year legal battle against collector David Nahmad. Maestracci, 81, living in Dordogne, expresses emotion for his grandfather's memory.

Mexico's Secretariat of Culture rejected the sale of 195 pre-Hispanic artifacts offered on eBay by a user in Orlando, Florida, and requested their immediate return, deeming them national heritage. The National Institute of Anthropology and History (INAH) verified their pre-Hispanic origin, initiating legal procedures for repatriation.

Ti AI ṣe iroyin

The Salón de Arte Moderno (SAM) in Madrid, Spain, features a Fernando Botero painting valued at $2.3 million until March 8. Titled ‘Courbet en el campo’, the work stands out among exhibits at the Círculo de Bellas Artes. The event has become an essential gathering for art collectors.

Mexican authorities have returned the body of notorious cartel boss Nemesio Rubén Oseguera Cervantes, known as El Mencho, to his family following genetic confirmation. The leader of the Jalisco New Generation Cartel was killed in a military operation last week, sparking widespread violence. The handover comes amid heightened U.S.-Mexico cooperation against cartels.

Ti AI ṣe iroyin

Lévy Gorvy Dayan is hosting “The Adventure of Domenico Gnoli,” the largest American exhibition of the Italian artist's work since 1969. The show features 17 paintings from 1965 to 1969, along with drawings, etchings, notebooks, letters, and ephemera. It highlights Gnoli's meticulous style and everyday subjects.

 

 

 

Ojú-ìwé yìí nlo kuki

A nlo kuki fun itupalẹ lati mu ilọsiwaju wa. Ka ìlànà àṣírí wa fun alaye siwaju sii.
Kọ