Jia Zhangke discusses AI tools at Hong Kong FilMart

Chinese director Jia Zhangke spoke about using AI tools in filmmaking during a panel at the 2026 Hong Kong FilMart. The Golden Rooster Roundtable on March 17 examined Chinese cinema's evolution amid digital intelligence, featuring market insights and AI discussions.

The 2026 Hong Kong FilMart hosted discussions on AI's integration into filmmaking, with Chinese auteur Jia Zhangke addressing its use in his films during a panel, as reported on March 18. Separately, the Golden Rooster Roundtable, titled “Reshaping Filmmaking & Market Landscapes in the Age of Digital Intelligence,” took place on March 17. Organized by the China Film Assn., China Film Co-production Corp., and Xiamen Film Administration, with Xiamen Film Festival Co. as co-organizer, the event began with an introduction to the Golden Rooster Film Awards in Xiamen and an overview of the Chinese mainland film market's opportunities for global collaboration. Data presented showed 2025 box office revenue at approximately $7.4 billion, maintaining its status as the world's second-largest market. Year-to-date 2026 revenue reached $1.58 billion, down 52.9% from 2025 but $350 million ahead of North America. Local films held nearly 80% market share, with 106 imported films—a five-year high—accounting for just over 20%. Audience shifts included 60% women buyers and 85% over age 25, with growth in third- to fifth-tier cities at 26.2%, 29.9%, and 31.7% respectively. On AI, director Lu Chuan called it a “partner” that accelerates digitization, lowers costs, and expands creative freedom, but stressed it cannot replace actors’ performances, interpretations, and emotional depth. Executive producer Kinnie Cheung noted AI's value in early concept planning and post-production, such as camera placement and multilingual voice integration, adding, “AI cannot replace actors.” Zhou Jianmin of Huaguoshan Media discussed AI's advancements in animation and 3D production, enabling Chinese software to meet international standards while emphasizing irreplaceable empathy. AI engineer Fong Shuai highlighted the need for customized AI tools for filmmakers.

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Chinese minister announces China's AI sector exceeding $165 billion at National People's Congress, with futuristic AI graphics on display.
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China's AI sector tops $165 billion in 2025, minister says

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The output of China's core artificial intelligence industry exceeded 1.2 trillion yuan ($165 billion) in 2025, with more than 6,200 companies operating in the field, said Li Lecheng, head of the Ministry of Industry and Information Technology. The remarks came after the opening meeting of the fourth session of the 14th National People's Congress in Beijing on Thursday.

Filmmakers and technologists at FilMart discussed how directable AI, such as Kling AI's 3.0 model, is transforming film and TV production. The technology promises greater efficiency for smaller Asian industries, though concerns about job changes and quality persist. Experts highlighted its use in productions like the series 'Swords Into Plowshares'.

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Japanese director Koji Fukada warned at the Cannes Film Festival that AI-generated art risks undermining human creativity.

Analysts suggest China’s rapid AI adoption may limit the economic fallout from its rapidly ageing population. As fertility rates fall across Asia, sustaining growth with fewer workers poses a daunting challenge. The region’s deep semiconductor, tech hardware, and machinery ecosystems enable faster and cheaper deployment than other regions.

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At the inaugural Hong Kong Global AI Governance Conference at the University of Hong Kong, Alibaba policy lead Fu Hongyu said China is at the front lines of global AI guardrails. He described a ‘common ignorance’ dilemma, unsure of AI’s direction.

As the Academy tightens rules to bar AI-generated works from the 99th Oscars, major gaming awards like the Game Awards and BAFTAs have adopted far softer stances on AI, requiring disclosure in some cases but not outright bans.

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The 24th Hong Kong Asia Film Financing Forum (HAF), running alongside the 30th Hong Kong International Film & TV Market (FilMart), features a new Japanese section called Film Frontier. This initiative highlights emerging Japanese filmmakers and is part of seven Japan-linked projects across HAF's strands. Unijapan is driving this push amid Japan's record box office performance.

 

 

 

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