The sci-fi thriller 'Hope' from South Korean director Na Hong-jin received a lengthy standing ovation at its premiere in the Cannes Film Festival competition on Sunday evening.
The two-hour-and-forty-minute film, which features an alien invasion in a remote South Korean village, drew enthusiastic applause during multiple action sequences. Audience members remained on their feet for approximately seven minutes after the screening concluded at the Grand Palais.
Initial reactions on X highlight a seven-minute standing ovation for Na Hong-jin's 'Hope' at its Cannes premiere, with praise for its fun, adventurous genre elements and strong performances; some users noted mixed or skeptical views on its storytelling and world-building, describing it as their least favorite film at the festival so far.
Michael Fassbender and Alicia Vikander take in the ovation for Na Hong-jin’s audacious alien monster movie Hope. Film also stars Hwang Jung-min, Zo In-sung and Hoeyon #Cannes pic.twitter.com/MYO39Znwz1
— Deadline (@DEADLINE) ١٧ مايو ٢٠٢٦
According to @DEADLINE, Na Hong-jin’s HOPE received a seven-minute standing ovation at Cannes, becoming one of this year’s most applauded premieres at the festival. pic.twitter.com/NkD4afU5Qb
— Taylor Russell Details (@TayRussDetails) ١٧ مايو ٢٠٢٦
#Hope: LOCUROTE. Si li compres l’absurditat que planteja Na Hong-Jin, espectacle disfrutoníssim. La primera hora és història del cine. Fassbender i Vikander antològics. Sí a tot. #Cannes2026 pic.twitter.com/p0nxt0GswW
— Marta Ferrer (@marta_ferrerg) ١٧ مايو ٢٠٢٦
Despite its impressive production values, Na Hong-jin’s almost-3-hours-long monster slasher HOPE is lazy in story-telling and weak in world-making and not even funny. Still, clearly so many people here at Cannes got a kick out of it.
— Arash Azizi آرش عزیزی (@arash_tehran) ١٧ مايو ٢٠٢٦
My worst film at Cannes so far. pic.twitter.com/EigAZ3S6TM
HOPE [Na Hong-jin, 2026] Cannes rarely puts genre movies in Competition but this is a lot of genre. Taut slapstick alien-invasion chase thriller, doofily allegorical mo-cap epic. Everyone in this movie is indestructible and the ending raises many, many questions. Not boring!
— Mark Asch (@MarkAschParody) ١٧ مايو ٢٠٢٦
من إعداد الذكاء الاصطناعي صورة مولدة بواسطة الذكاء الاصطناعي
Iranian director Asghar Farhadi returned to the Cannes Film Festival with the premiere of his French-language drama Parallel Tales. The film, starring Isabelle Huppert, received a standing ovation from the audience.
Director Na Hong-jin's sci-fi thriller film "Hope" will compete for the top prize at this year's Cannes Film Festival, which begins Tuesday.
من إعداد الذكاء الاصطناعي
Director Na Hong-jin's film Hope did not win the Palme d'Or at the Cannes Film Festival on May 23. The genre-bending work remained one of the most talked-about entries in this year's competition.
James Gray's crime drama Paper Tiger premiered at the Cannes Film Festival on Saturday night, drawing a standing ovation lasting seven to ten minutes. The film stars Adam Driver, Miles Teller and Scarlett Johansson in a story of two brothers caught up with the Russian mob.
من إعداد الذكاء الاصطناعي
Ira Sachs' drama The Man I Love, starring Rami Malek, premiered Wednesday in competition at the Cannes Film Festival and earned an extended standing ovation. The 1980s-set film follows a New York performance artist confronting an AIDS diagnosis.
The horror film "Salmokji: Whispering Water" dominated the South Korean weekend box office, drawing 343,463 admissions from Friday to Sunday. This brings its total audience to 1.98 million since premiering on April 8, according to the Korean Film Council. As of 9 a.m., it leads ticket reservations at 8.9 percent and is on track to surpass 2 million viewers later today.
من إعداد الذكاء الاصطناعي
Atlantic Rhapsody won the top prize at the Shanghai International Film Festival. The event highlighted first-time filmmakers and new approaches to cinema.