Avatar: Fire and Ash leads box office for fourth weekend

James Cameron's Avatar: Fire and Ash continues to dominate the box office, earning $21.3 million in its fourth weekend. The film outperformed newcomers Primate and Greenland 2: Migration, which debuted with $11.3 million and $8.5 million respectively. Overall, the weekend's totals suggest a steady but not explosive start to the year for cinemas.

James Cameron's latest Na'vi adventure, Avatar: Fire and Ash, secured the top spot at the North American box office for the fourth straight weekend, pulling in $21.3 million from 3,700 theaters. This brings its domestic total to $342.6 million and global haul to $1.23 billion, underscoring its role in sustaining theater attendance amid a typically slow January.

Trailing far behind, the horror-thriller Primate opened to $11.3 million from 2,964 venues, edging out the holdover The Housemaid, which earned $11.2 million in its fourth weekend. Primate, distributed by Paramount under a deal with 18Hz and former DC Films chief Walter Hamada, follows a group of friends terrorized by a violent chimpanzee during a tropical getaway. With a $21 million budget, it garnered a B- CinemaScore from audiences and added $2.1 million internationally for a $13.4 million global debut.

The Housemaid, a Lionsgate psychological thriller, has now amassed $94.15 million domestically and $192 million worldwide on a modest $35 million budget, demonstrating strong word-of-mouth appeal.

Zootopia 2 slipped to fourth with $10.1 million in its seventh weekend, boasting $378.8 million domestic and $1.65 billion global, making it Walt Disney Animation's highest-grossing film ever. Rounding out the top five, Greenland 2: Migration debuted with $8.5 million from 2,710 locations. The Gerard Butler-led sequel, produced by STX for $90 million and acquired domestically by Lionsgate for $10 million, earned a B- CinemaScore. It continues the story of a family seeking refuge after a comet's devastation.

Box office consultant David A. Gross described the sequel's start as 'flat,' but noted, 'Gerard Butler is a well-liked action star around the world. International numbers and ancillary rental and streaming business should be good.'

Further down, A24's Marty Supreme, starring Timothée Chalamet, added $7.3 million to reach over $70 million domestically, buoyed by awards buzz including Chalamet's Critics Choice win. Smaller releases like Searchlight's Is This Thing On? ($2.3 million) and Neon's No Other Choice ($1.3 million) showed promise in limited runs.

Looking ahead, January's lineup includes Sony's 28 Years Later: The Bone Temple, the anime All You Need Is Kill, Amazon MGM's Mercy with Chris Pratt, Sam Raimi's Send Help, and Jason Statham's Shelter. Gross expressed cautious optimism: 'We’re hoping for a stronger start to the year than in 2025 and 2024. For the [January] box office to approach pre-pandemic levels, All You Need Is Kill, Mercy, Send Help and Shelter are going to have to perform big.'

The weekend's performance paces slightly ahead of 2025, offering hope for a busier month despite historical slumps.

Related Articles

Movie theater marquee announcing Wuthering Heights as top box office earner over holiday weekend, with rankings and festive crowds.
Image generated by AI

Wuthering Heights leads box office over holiday weekend

Reported by AI Image generated by AI

Warner Bros' Wuthering Heights debuted at the top of the North American box office with an estimated $40 million over the four-day Valentine's Day and Presidents' Day frame. The romantic drama outperformed newcomers Goat and Crime 101, which earned $32 million and $17.7 million respectively. Disney became the first studio to surpass $1 billion worldwide in 2026.

Imax's revenues and profits fell in the first quarter of 2026, despite strong performances from 'Avatar: Fire and Ash' and 'Project Hail Mary.' The company posted $81 million in revenue, down 6.5% from last year, and net income of $6.2 million, down 26%. Results beat Wall Street expectations.

Reported by AI

Sam Worthington, star of the Avatar franchise, stated that the series enjoys greater creative freedom than Marvel films due to a lack of studio and fan pressures. He described the production as feeling like an independent movie. The comments came in a recent interview with The Independent.

This website uses cookies

We use cookies for analytics to improve our site. Read our privacy policy for more information.
Decline