Illustration of Netflix executives shaking hands over Warner Bros. Discovery acquisition deal, with logos, $82.7B headline, and subscriber stats on a conference screen.
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Netflix to acquire Warner Bros. Discovery in $82.7 billion deal

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Netflix has agreed to buy Warner Bros. Discovery's streaming and movie studios business for an enterprise value of $82.7 billion, following a bidding war. The deal, pending regulatory and shareholder approvals, will combine Netflix's 301.63 million subscribers with Warner Bros. Discovery's 128 million. It promises cost savings and broader content access but raises concerns over market consolidation and impacts on theaters.

Warner Bros. Discovery (WBD) announced on December 5, 2025, that Netflix emerged victorious in a bidding war against contenders like Paramount Skydance and Comcast. The acquisition targets WBD's streaming and studios businesses, including film and TV libraries, HBO Max, and the HBO channel, after WBD completes a split into Warner Bros. and Discovery Global in Q3 2026. The equity value stands at $72 billion, with a total enterprise value of $82.7 billion, exceeding WBD's overall $60 billion market value, as noted by NBC News.

Netflix anticipates gains in subscribers, engagement, and annual cost savings of $2–3 billion by the third year. Co-CEO Greg Peters stated that Netflix's global reach and business model will deliver Warner Bros. content to a broader audience. The deal grants Netflix control over major franchises like DC Comics, Game of Thrones, and Harry Potter. For now, HBO Max will remain a separate service, per Variety, though future bundling or integration is possible, similar to Disney's Disney+ and Hulu approach.

Regulatory scrutiny looms large. The acquisition requires approvals from bodies like the US Department of Justice (DOJ), amid antitrust worries. Senators Elizabeth Warren, Richard Blumenthal, and Bernie Sanders urged the DOJ to base any decision on law, not political favoritism. Representative Darrel Issa warned it would enhance Netflix's market power, deeming it presumptively problematic under antitrust law. A California attorney general spokesperson echoed DOJ concerns about consolidation harming competition and consumers.

The movie theater industry expressed alarm. Cinema United CEO Michael O’Leary called for close regulatory examination of the deal's negative impacts. An anonymous group of producers claimed it would "effectively hold a noose around the theatrical marketplace" by limiting releases and licensing fees. Netflix co-CEO Ted Sarandos assured that all Warner Bros. movies will continue theatrical releases through 2029, supporting the lifecycle starting in theaters, though he criticized long exclusive windows as consumer-unfriendly. Paramount has questioned the sales process's fairness.

Plans for HBO's linear channel remain unclear, but Netflix's streaming focus suggests it may not persist long-term, with the brand likely enduring in some form.

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Initial reactions on X to Netflix's proposed $82.7 billion acquisition of Warner Bros. Discovery's studios and streaming assets highlight excitement over combined content like HBO, DC, and Harry Potter, but express widespread skepticism about antitrust violations, market monopoly, higher prices, threats to theatrical releases, job losses, and cultural shifts. High-profile critics including Sen. Elizabeth Warren and industry groups warn of reduced competition, while some gamers anticipate benefits from acquired tech.

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Illustration of Netflix's $82.7 billion acquisition of Warner Bros., featuring executives sealing the deal amid symbols of streaming merger and cinema uncertainty.
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Netflix acquires Warner Bros. in $82.7 billion deal

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Netflix has secured a deal to buy Warner Bros. for $82.7 billion, reshaping the entertainment industry and raising questions about the future of HBO's linear service and theatrical releases. The acquisition, which still requires regulatory approval, promises to integrate HBO Max as a separate entity initially but could eventually fold it into Netflix. Industry observers worry about the impact on premium cable and cinema exhibition.

Paramount has initiated a hostile takeover bid for all of Warner Bros. Discovery (WBD), challenging Netflix's recent agreement to acquire WBD's streaming and film businesses. The bid values WBD at $108.4 billion, a 139 percent premium over its September stock price. Paramount argues its offer provides better value for shareholders amid antitrust concerns surrounding the Netflix deal.

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Paramount on Monday unveiled a hostile all‑cash bid for Warner Bros. Discovery, days after the company agreed to be acquired by Netflix in a deal valued at about $82.7 billion. Paramount is pitching its offer as faster to close and richer in cash, intensifying a takeover battle that has already drawn antitrust concerns from President Donald Trump and bipartisan critics.

Canal+ and Warner Bros. Discovery have signed a multi-year, multi-territory agreement to bolster their global collaboration. The deal expands HBO Max availability and renews channel distributions across Europe and Africa. It builds on prior partnerships amid Warner Bros. Discovery's pending acquisition by Netflix.

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Cinema United has urged Congress to scrutinize the potential sale of Warner Bros., warning that a deal with Netflix or Paramount could devastate the movie theater industry. The trade group argues the acquisition would lead to fewer films, theater closures, and widespread job losses. In a letter to lawmakers, they highlighted Netflix's hostility toward theatrical releases and the broader economic fallout.

Sony Pictures Entertainment and Netflix have signed a new multi-year pay-1 licensing agreement, granting the streamer global rights to Sony's feature films after their theatrical and home entertainment windows. The deal, which builds on their 2021 U.S.-focused partnership, will roll out gradually starting later in 2026 and achieve full worldwide availability by early 2029. Financial terms remain undisclosed, but it surpasses the previous $2.5 billion arrangement in value.

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Warner Bros. is starting a new contemporary film label led by former Neon executive Christian Parkes, along with colleagues Jason Wald and Spener Collantes. The initiative, spearheaded by Michael De Luca and Pam Abdy, focuses on smartly budgeted theatrical releases targeting younger audiences. It aims to discover new filmmakers and diversify offerings beyond blockbusters.

 

 

 

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