A new film review in Variety praises Glen Powell's performance in 'How to Make a Killing,' a reimagining of the 1949 black comedy 'Kind Hearts and Coronets.' Directed by John Patton Ford, the movie blends murder, greed, and romance in a satirical take on wealth and desperation. The review highlights its quirky narrative and strong cast, though it notes some uneven elements.
'How to Make a Killing' serves as a modern reimagining of the Ealing Studios classic 'Kind Hearts and Coronets,' the 1949 British black comedy featuring Alec Guinness in multiple roles as murder victims. In this version, written and directed by John Patton Ford—known for his 2022 indie film 'Emily the Criminal'—Glen Powell stars as Becket Redfellow, a man from humble origins in Belleville, New Jersey, who targets seven wealthy cousins to claim his family's inheritance.
The plot follows Becket as he systematically eliminates obstacles, starting with drowning Taylor, played by Riff Law, a finance professional. He then begins a relationship with Ruth (Jessica Henwick), the girlfriend of his next victim, Noah (Zach Woods), an obnoxious photographer who dies in a darkroom explosion. Adding layers of intrigue is Julia, Becket's childhood sweetheart, portrayed by Margaret Qualley with a mix of amorality and intensity. Other notable cast members include Bill Camp as a finance elder statesman, Topher Grace as a corrupt megachurch pastor, and Ed Harris as the entitled grandfather Whitelaw.
Narrated from prison with only four hours until his execution, the story unfolds without advanced forensics, allowing Becket to evade immediate detection by a suspicious detective (Motsi Tekateka). The film incorporates elements of Wall Street greed, romance, and satire, drawing comparisons to works like Park Chan-wook's 'No Other Choice,' as well as TV series 'Dexter,' 'Succession,' and 'Beef.' Powell's portrayal emphasizes quick intelligence and playfulness, reminiscent of his role in Richard Linklater's 'Hit Man.'
Reviewed at Regal Union Square on February 16, 2026, the A24 release carries an R rating and runs 105 minutes. Production involves StudioCanal and Blueprint Pictures, with music by Emile Mosseri. While the review describes it as a 'patchy amusement' with 'acrid riffs on the hidden depravity of the new greed culture,' it commends Qualley's energizing presence and the film's bold invitation to sympathize with its protagonist.
