The new musical adaptation of Paddington has opened at the Savoy Theatre in London's West End, earning praise for its charm and humor. Directed by Luke Sheppard with music by Tom Fletcher, the production brings the beloved bear to life through innovative puppetry. Based on Michael Bond's classic stories and the hit films, it emphasizes themes of kindness and belonging.
Production Overview
'Paddington the Musical' is a two-act production based on Michael Bond's 1958 book 'A Bear Called Paddington' and the 2014 film. Co-produced by Sonia Friedman Productions, StudioCanal, and Eliza Lumley Productions on behalf of Universal Music UK, it has been in development for at least five years with multiple workshops. The show officially opened on November 30, 2025, following a review performance on November 29, with a running time of 2 hours and 40 minutes. Top ticket prices reach £250 ($331) at the 1,124-seat Savoy Theatre.
Creative Team and Cast
Music and lyrics are by Tom Fletcher, founder of the band McFly and author of over 30 children's books. The book is by Jessica Swale. Luke Sheppard directs, with choreography by Ellen Kane and musical direction by Laura Bangay. Key design elements include sets by Tom Pye, costumes by Gabriella Slade, and puppet design for Paddington by Tahra Zafar.
Paddington is brought to life by Arti Shah, who performs inside the furry suit, and James Hameed, who provides the voice and remotely puppeteers the facial expressions. Hameed appears briefly as the 'Young Man' character before lending his voice to the bear. The cast includes Victoria Hamilton-Barritt as the villainous Millicent Price, Tom Edden as Mr. Curry, Adrian Der Gregorian as Mr. Brown, and Amy Ellen Richardson as Mrs. Brown. Other performers include Amy Booth-Steel, Delilah Bennett-Cardy, and Brenda Edwards.
Reception and Innovations
Variety's review describes the musical as 'furry, funny and fully-formed,' highlighting its beguiling charm and successful adaptation of the intellectual property. Standout moments include the infectious 'Marmalade' number, which engages the audience. The production avoids cynicism, blending storybook design with precise staging. Shah and Hameed, who have collaborated for three years, emphasize the show's message of kindness. They recently met Prince William and Kate Middleton, who inquired about the suit's comfort.
The films, which grossed nearly $800 million, raised expectations, and the stage version delivers through expressive puppetry reminiscent of 'War Horse.' Fletcher's witty comedy numbers and Swale's inventions, like expanded character arcs, contribute to its appeal.