Paco Padilla, a ceramist born in 1952 in Tlaquepaque, Jalisco, keeps the ceramic tradition alive through his workshop, blending ancestral techniques with innovations learned in Italy. In addition to shaping durable pieces fired at over 1,200 degrees for 20 hours, he incorporates his passion for music to enrich local culture. His work fuses Mexican tradition and identity, attracting visitors and international clients.
In Paco Padilla's workshop in Tlaquepaque, Jalisco, the scent of fresh clay invites exploration of a space dedicated to ceramic art. Born in 1952 in this locality, Padilla stands out as one of the region's most recognized ceramists for his commitment to promoting this Mexican cultural expression.
The creation process starts with a durable paste, chosen to withstand high temperatures above 1,200 degrees Celsius for 20 hours in the kiln. To refine his technique, Padilla traveled to Italy, where he acquired a unique formula that sets his pieces apart from those made in other local workshops. Among worktables and shelves filled with vases, figures, and vessels, each object tells a story of patience and tradition.
With a humorous touch, Padilla recalls his childhood: “Those little monkeys, 70 years ago, I painted the Atlas uniform on them, because in our family we supported Atlas”. Today, he creates dozens of soldier figures that serve as incense burners for a client in Los Angeles, United States.
Beyond ceramics, Padilla is a musician whose deep voice sings melodies about love, struggle, and Jaliscan identity. In 1992, he composed the song “Tiempo de caminar” to commemorate the 500th anniversary of the 1492 encounter, performing it at the Teatro Degollado in Guadalajara. This piece is part of the nueva canción mexicana, addressing historical reflections and everyday Tapatio life.
Through his fusion of arts, Padilla revitalizes Tlaquepaque as a cultural hub, connecting generations and disciplines without losing artisanal roots.
