Project Hail Mary opens to record $71 million at US box office

Amazon MGM Studios' Project Hail Mary is projecting a $71.1 million US opening weekend, the best of 2026 and a record for the studio. The sci-fi film, directed by Phil Lord and Christopher Miller, earned $12 million in previews and strong audience scores. Puppeteer James Ortiz brought the alien Rocky to life using practical effects during the six-month London shoot.

Project Hail Mary, based on Andy Weir’s 2021 novel, launched with $12 million in previews, marking the second-best for a non-sequel, non-franchise film after It’s $13.5 million in 2017. The movie is on track for $71.1 million over the weekend across 4,007 theaters, surpassing Creed III’s $58.3 million Amazon MGM record and tying Us’s $71.1 million as the fourth-best non-franchise opening. PostTrak exits showed 5 stars, 95% positive score, and 85% definite recommend, with 61% male and 59% aged 18-34 audiences; 56% had bought tickets in advance. Social media buzz from a 520.8 million universe praised it as better than The Martian and recent Star Trek films, with book fans highlighting its brains, heart, and theatrical appeal. Ryan Gosling interacts with the alien Rocky, a spider-like creature speaking in whale songs, for over half the film using a practical puppet operated by James Ortiz, a Broadway veteran from shows like The Skin of Their Teeth and Into the Woods. Ortiz was on set nearly the entire six-month London production, as directors Lord and Miller favored practical effects. “Actor to actor, I didn’t want Ryan to ever feel like he was alone in this,” Ortiz said. They rehearsed scenes eye-to-eye before adding the puppet. Designer Neil Scanlan, from Jim Henson’s shop and Star Wars, built Rocky and told Ortiz, “I’m going to treat this like you’re Frank Oz, and my job is to build Yoda for you.” Sets were elevated four to five feet for puppeteers, with animatronics and Framestore CGI for complex shots like Rocky rolling. Ortiz provided Rocky’s voice from a booth, reciting lines with a rough, duct-taped computer sound mixing Mr. Moviefone and Siri tones; directors retained his tracks. “What I loved about the process was at no point did Phil or Chris or anybody on the team ever treat me like I was a technician,” Ortiz said. Gosling gifted Ortiz a Batman Forever crew sweatshirt.

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Super Mario Galaxy Movie theater marquee celebrating $2 billion franchise box office milestone with crowds and cosmic visuals.
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Super Mario Galaxy Movie pushes franchise past $2 billion globally

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The Super Mario Galaxy Movie earned $35 million in its third domestic weekend, bringing its total to $355.2 million and the franchise past $2 billion worldwide. Lee Cronin's The Mummy opened to $13 million domestically and $34 million globally. Project Hail Mary added $20.4 million in its fifth weekend for a $285 million domestic cume.

Project Hail Mary has become Amazon MGM's highest-grossing film ever, crossing $300 million worldwide. The film earned $54.1 million from 86 markets over the weekend, topping the previous record holder Creed III. Directed by Phil Lord and Christopher Miller, it stars Ryan Gosling in a space odyssey based on Andy Weir's novel.

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Amazon MGM Studios' Project Hail Mary grossed $53.1 million in its second weekend, surpassing the second-weekend hauls of Oppenheimer and Dune: Part Two. The Ryan Gosling-led film, directed by Phil Lord and Christopher Miller, dropped just 34% from its opening after a Friday take of $14.6 million. New Line's They Will Kill You opened to a modest $5 million to $5.5 million.

Illumination and Universal's Super Mario Galaxy Movie debuted to a record $372.5 million globally over its opening weekend, including $190 million in North America over five days and $182.4 million internationally. The animated sequel broke numerous box office records, marking the biggest opening of 2026 so far. It trails only its 2023 predecessor in several key metrics.

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Republic Pictures has acquired the documentary Mighty Mary, narrated by Hugh Jackman and Elizabeth Banks. Directed by Mary Mazzio, the film chronicles the first all-women’s sailing team to compete for the America’s Cup.

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