Boots Riley says Cannes rejected his latest film

Boots Riley stated that Cannes rejected his new film I Love Boosters along with several of his prior projects. The director shared the comments on X after being asked about his choice to premiere the movie at SXSW instead.

Riley wrote that Cannes turned down I Love Boosters as well as his 2018 feature Sorry To Bother You and the comedy series I’m a Virgo. He noted that the festival selected The Idol over I’m a Virgo and chose other titles that had screened in their home country while passing on his work. “They just don’t like my stuff. All good,” he added in the post.

Articoli correlati

Director Lukas Dhont receiving a standing ovation at Cannes for his film Coward, with a World War I scene on screen.
Immagine generata dall'IA

Lukas Dhont's Coward receives 13-minute ovation at Cannes

Riportato dall'IA Immagine generata dall'IA

Lukas Dhont's World War I drama Coward earned a 13-minute ovation following its world premiere in competition at the Cannes Film Festival on Thursday. The queer romantic film marks Dhont's third entry in the festival lineup.

Actress Poppy Liu spoke about her role in the upcoming Boots Riley film I Love Boosters and the end of her time on Hacks.

Riportato dall'IA

Multiple films and directors were highlighted in recent festival coverage.

Nicolas Winding Refn's latest film 'Her Private Hell' premiered out of competition at the Cannes Film Festival and received a lengthy standing ovation. The director shared personal reflections during the post-screening remarks. The movie stars Sophie Thatcher and Charles Melton.

Riportato dall'IA

Due lettere aperte firmate da cineasti tra cui Justine Triet, Jacques Audiard e Natalie Portman denunciano l'esclusione di Nadav Lapid dal festival FID Marseille. Il vincitore dell'Orso d'oro si è infine ritirato in seguito alle pressioni.

Diego Luna's latest film 'Ashes' premiered in the Special Screenings section at the Cannes Film Festival on May 13. The migration drama follows a young Mexican nanny in Madrid and draws from Brenda Navarro's novel 'Ceniza en la boca.' Early reactions highlight strong performances amid a meandering structure.

Riportato dall'IA

Netflix Films chairman Dan Lin said the platform will avoid filmmakers who demand theatrical openings, except for one upcoming project.

 

 

 

Questo sito web utilizza i cookie

Utilizziamo i cookie per l'analisi per migliorare il nostro sito. Leggi la nostra politica sulla privacy per ulteriori informazioni.
Rifiuta