Fanimal files antitrust lawsuit against Live Nation and Ticketmaster

A former ticketing startup, Fanimal, has sued Live Nation and Ticketmaster, claiming their monopoly practices drove it out of business. The lawsuit, filed on December 30 in federal court, alleges that exclusive contracts prevented Fanimal from competing effectively in the live events industry.

The antitrust lawsuit against Live Nation and Ticketmaster marks another challenge to the companies' dominance in the live events sector. Fanimal, founded in 2018, positioned itself as an innovative platform emphasizing transparent pricing and straightforward group ticket splitting for fans. Backed by venture capital, it quickly grew to over 250,000 users and eyed a valuation exceeding $100 million. However, the suit claims that Live Nation's control over concert promotions forced major venues to rely exclusively on Ticketmaster, blocking Fanimal's access to key opportunities despite its capacity to handle large-scale events.

"Fanimal was an innovative ticketing start-up focused on fans," the complaint states, highlighting its rapid rise and subsequent fall. This alleged anticompetitive barrier not only stifled growth but also deterred further investment, leading Fanimal to shut down its operations and sell its assets to TickPick in 2024 for what it describes as "a modest amount."

The case echoes broader scrutiny of the 2010 Live Nation-Ticketmaster merger. A major Department of Justice lawsuit aims to break up the companies and is set for trial in May. Consumer class actions have advanced, including certification for a wide group of ticket buyers last month and a victory for Taylor Swift fans in November, who continue pursuing claims related to the Eras Tour presale debacle.

Representatives for Live Nation and Ticketmaster declined to comment on the new filing as of January 5. The companies have consistently denied monopolistic behavior, maintaining that competition in live events has intensified since their merger.

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The U.S. Department of Justice opened its landmark antitrust trial against Live Nation on March 3, 2026, in New York federal court, accusing the company—which owns Ticketmaster—of maintaining an illegal monopoly in concert ticketing and promotion. Prosecutors detailed anticompetitive practices harming fans, artists, and venues, while Live Nation lawyers denied monopoly power in a competitive market. The case follows a May 2024 lawsuit amplified by the 2022 Ticketmaster crash during Taylor Swift's Eras Tour presale.

Live Nation reached a settlement with the U.S. Department of Justice in a long-running antitrust lawsuit, avoiding a breakup with Ticketmaster but agreeing to operational changes, including amphitheater divestments and opening ticketing to competitors. The deal, announced during trial on March 9, 2026, drew criticism from several state attorneys general who plan to continue separate litigation.

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Live Nation's head of corporate and regulatory affairs, Dan Wall, has publicly called for the Department of Justice to settle its antitrust case against the company without requiring the sale of Ticketmaster. In a blog post, Wall argues that recent court rulings weaken the government's position for a breakup. The case heads to trial next month amid ongoing negotiations.

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I fan del gruppo sudcoreano BTS hanno lanciato una petizione online con oltre 13.000 firme che richiede posti a sedere nella fossa in piedi per i concerti a São Paulo nell'ottobre 2026, per aumentare la sicurezza e prevenire l'affollamento. L'iniziativa divide gli ARMY, con dibattiti su comfort e rischi per la salute in mezzo alle ondate di calore. Il produttore Live Nation non ha ancora risposto.

 

 

 

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